The Deli NYC - All about the New York City Indie Rock, Folk and Other Music Scenes! + Online Music Charts
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20 electronic
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20 hip hop
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20 indie pop
indie pop,
britpop, lo fi
orchestral
pop, lounge pop
mellow core
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20 indie
avant
indie, post rock
indie
rock
post
punk, noise rock
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20 metal
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20 psych
psych
rock
shoegaze
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20 alt rock
alt
rock, power pop,
emo
garage,
punk, glam + other revivals
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20 rootsy
alt
folk, alt soul,
rootsy pop
songwriters
Audio Fiction, back to the 80s Alt Rock : live at Crash Mansion 08.15
Pop punk afficianado, Audio Fiction is a definite tribute to the sound of retro rock from the golden days of the 1980s. Even though they draw inspiration from an earlier time, their music showcases a contemporary vibe by perfectly melding together luscious harmonies with a rowdy edge. With tunes that are upbeat and catchy, their music is loud but never over-the-top. To create a retro pop vibe, Audio Fiction’s melodies are especially guitar-based with the charged and animated sensation of an electric twanging. The bass is heavy but the drums are significantly louder, often employing lively drum rolls to bring an effervescent energy to their music. While the instrumentals are magnetic, the vocalist’s singing is sensational. Skillfully, in a matter of seconds, she can switch from soft, almost operatic vocals to an impassioned and angsty chant that whisks you away into an entirely different melody. Ultimately, this wonderful voice of hers is the rich, creamy icing on the red velvet that is their delectably addictive cake.– Stephanie Freitag
Glass
Ghost’s music
is like a raging
party for the ears.
The catchy, unique
tunes are derived
from a good mix
of influences such
as Pit Er Pat, Clap
Your Hands Say Yeah
and J Dilla. Featuring
Eliot Krimsky and
Mike Johnson of
the experimental
pop band Flying,
Glass Ghost inherited
pop hooks from its
musical lineage
while adding fresh
hip hop beats to
create a captivating
blend of genres.
Perhaps Glass Ghost’s
wide appeal can
be attributed to
the members’ experiences
performing at atypical
venues such as clothing
stores, community
centers and weddings.
On “Idol Omens,”
the duo invited
some of New York’s
finest to round
out the album, including
Sharon Van Etten,
Luke Temple and
Joan Wasser. The
record showcases
the band’s flexibility
in writing a delectable
variety of tempos
and styles. In “The
Same,” a song about
the monotony of
routine, the band
creates a massive
aural feast complete
with key-mashing,
dramatic organ,
horns, funky beats,
handclaps, samples,
vocal harmonies
and Krimsky’s peculiar
falsetto conducting
the opus. Even when
the music is stripped
down and pulled
back, there are
still charming nuances
that entice the
pickiest of ears.
- Nancy Chow
- website
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