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Audio Fiction, back to the 80s Alt Rock : live at Crash Mansion 08.15

Pop punk afficianado, Audio Fiction is a definite tribute to the sound of retro rock from the golden days of the 1980s. Even though they draw inspiration from an earlier time, their music showcases a contemporary vibe by perfectly melding together luscious harmonies with a rowdy edge. With tunes that are upbeat and catchy, their music is loud but never over-the-top. To create a retro pop vibe, Audio Fiction’s melodies are especially guitar-based with the charged and animated sensation of an electric twanging. The bass is heavy but the drums are significantly louder, often employing lively drum rolls to bring an effervescent energy to their music. While the instrumentals are magnetic, the vocalist’s singing is sensational. Skillfully, in a matter of seconds, she can switch from soft, almost operatic vocals to an impassioned and angsty chant that whisks you away into an entirely different melody. Ultimately, this wonderful voice of hers is the rich, creamy icing on the red velvet that is their delectably addictive cake.– Stephanie Freitag

Published on Fri, 10 Jul 2009 10:45:11 0 Comments | Post a Comment


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The Sundelles
cali rock meets velvet underground
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shaking things up
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storming the castle
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Glass Ghost
"Idol Omen"
mp3!!

Glass Ghost’s music is like a raging party for the ears. The catchy, unique tunes are derived from a good mix of influences such as Pit Er Pat, Clap Your Hands Say Yeah and J Dilla. Featuring Eliot Krimsky and Mike Johnson of the experimental pop band Flying, Glass Ghost inherited pop hooks from its musical lineage while adding fresh hip hop beats to create a captivating blend of genres. Perhaps Glass Ghost’s wide appeal can be attributed to the members’ experiences performing at atypical venues such as clothing stores, community centers and weddings. On “Idol Omens,” the duo invited some of New York’s finest to round out the album, including Sharon Van Etten, Luke Temple and Joan Wasser. The record showcases the band’s flexibility in writing a delectable variety of tempos and styles. In “The Same,” a song about the monotony of routine, the band creates a massive aural feast complete with key-mashing, dramatic organ, horns, funky beats, handclaps, samples, vocal harmonies and Krimsky’s peculiar falsetto conducting the opus. Even when the music is stripped down and pulled back, there are still charming nuances that entice the pickiest of ears. - Nancy Chow - website

 
 
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